Schedule
Micah conducts the world premiere of Pretty Little Room with Opera Memphis, created by composer Robert Patterson and librettist Jerre Dye
More information and tickets here.
THE EXOPLANETS — a curious directive and City of London Sinfonia co-production — is an extraordinary blend of theatre, live orchestral performance, and planetarium experience.
Created by Jack Lowe, Artistic Director of Norwich-based curious directive, THE EXOPLANETS is a rare performance collaboration between a multi-award-winning theatre company and an innovative and world-class orchestra.
Micah conducts the London premiere of THE EXOPLANETS.
Micah serves as cover conductor to Gianandrea Noseda and the National Symphony Orchestra.
Thunder and lightning alongside the smiling, radiant face of a father: it’s Jupiter, the king of all gods! Experience the heavenly drama of Mozart’s Symphony No. 41, “Jupiter,” in the hands of Gianandrea Noseda, who opens the concert with Bach’s large-scale Brandenburg Concerto No. 1 and Jacques Loussier’s jazz-infused, neo-Bach Concerto for Violin and Tabla.
More information and tickets here.
Spoleto Festival USA presents Opera Queensland’s production of Dido and Aeneas in association with Circa. Micah serves as assistant/cover conductor to Patrick Dupré Quigley.
More information and tickets here.
Micah and Joanne (LOAM) reunite to create and perform a new, original work inspired by members of the Charleston community, as a part of the Spoleto Festival’s Tell Your Story project. The piece features the voices and personal stories of local Charlestonians sharing their stories alongside sights and sounds of the region.
More information and tickets here.
Santa Fe Pro Musica Orchestra
Micah Gleason, conductor
Gabriel Ingliss, violin
Rafael Ingliss, piano
MOZART Symphony No. 36 in C Major, K. 425, “Linz”
MOZART Violin Concerto No. 5 in A Major, K. 219, “Turkish”
MOZART Piano Concerto No. 24 in C Minor, K. 491
More information and tickets here.
“It is only with the heart that one can see rightly.”
—The Little Prince
An aviator crash lands in the desert. Could that be a mirage? No, it’s a little prince from another planet! When the two become unlikely friends, they learn lessons from the desert’s many creature—from the sly Fox and the deceitful Snake to the vain and needy Rose—and discover new ways of seeing and loving.
Academy Award-winning composer Rachel Portman’s opera based on Antoine de Saint-Exupéry’s Le petit Prince returns for all ages! The beloved story comes to life with “spirited doses of stage humor for the kids and nostalgia-tinged arias for the adults” (Washington Classical Review) in this fantastical and tuneful production showcasing the Cafritz Young Artists along with the Youth Chorus.
When this touching opera first premiered for WNO audiences in 2014, tickets quickly sold out. Here’s your chance to experience the whimsical tale that has captivated hearts for over 80 years.
Micah Gleason, Conductor
Francesca Zambello, Production
Corinne M. Hayes, Revival Director
AJ Guban, Lighting Designer
Anna Maria Bruzzese, Choreographer
Maria Björnson, Set and Costume Designer
More information and tickets here.
The Grossman Ensemble, in residence at the Chicago Center for Contemporary Composition, begins the 2025-26 concert season by adding four new works to its already impressive roster of 75 world premieres. Conductor Micah Gleason leads premieres by composers Kay Rhie, Ryan Chase, Mikel Kuehn, and Inés Thiebaut in a dynamic performance showcasing diverse and complex sonic worlds.
All audience members are invited to celebrate the creativity and artistry of the evening at an after-party with the musicians, composers, and conductor.
More information and tickets here.
Micah serves as cover conductor to Jader Bignamini.
Jader Bignamini, conductor
Hélène Grimaud, piano
Wynton Marsalis: Herald, Holler, and Hallelujah**
George Gershwin: Piano Concerto in F
Richard Strauss: Don Juan
Piotr Ilyich Tchaikovsky: Romeo and Juliet
Awaken your heart with two distinct visions of love: Strauss’ Don Juan, a man’s restless pursuit of passion; and Tchaikovsky’s Romeo and Juliet, a fated tale of love at its purest. Led by magnetic Music Director of the Detroit Symphony Orchestra Jader Bignamini, the concert also features Wynton Marsalis’ bold Herald, Holler, and Hallelujah and Gershwin’s jazz-infused Piano Concerto in F with soloist Hélène Grimaud—a fanfare for her “astonishing proficiency and poetic sensibilities” (The Washington Post).
More information and tickets here.
Micah serves as cover conductor for Emmanuel Tjeknavorian with the National Symphony Orchestra.
Ludwig van Beethoven:
Egmont – Overture
Violin Concerto
Symphony No. 7
Acclaimed violinist Isabelle Faust, whose “sound electrifies” (The New York Times), makes her much-anticipated NSO debut in Beethoven’s Violin Concerto. Beethoven’s joyous Symphony No. 7, a work Richard Wagner called “the apotheosis of the dance,” creates an electrifying finale.
More information and tickets here.
Join us for the Mannes Opera 2025/2026 Season Opener -- the fully staged chamber version of Kaija Saariaho’s extraordinary oratorio, La Passion de Simone, with a libretto by Amin Maalouf.
One of the 21st century’s most influential female composers, Saariaho created a work of profound contemporary relevance, engaging with themes of war, human suffering, and the philosophical contemplation of "good."
Her oratorio examines the life and work of radical French philosopher Simone Weil in 15 stations; an iteration of the Christian mediation on the 14 Stations of the Cross. Through the compelling figure of Weil, this work examines the impossibility—and the necessity—of contemplating the vast scope of human suffering with unflinching eyes. This piece will be realized in a fully staged production led by conductor Micah Gleason in partnership with Mannes Opera's Emma Griffin as director.
Conductor - Micah Gleason
Director - Emma Griffin
Music Preparation - Cris Frisco
More information and tickets here.
THE EXOPLANETS — a curious directive and City of London Sinfonia co-production — is an extraordinary blend of theatre, live orchestral performance, and planetarium experience.
Created by Jack Lowe, Artistic Director of Norwich-based curious directive, THE EXOPLANETS is a rare performance collaboration between a multi-award-winning theatre company and an innovative and world-class orchestra.
Micah assists conductor Naomi Woo.
More information and tickets here.
Micah serves as assistant/cover conductor to Gianandrea Noseda on Carnegie Hall’s 2025 NYO tour to Asia with soloist Ray Chen, beginning with a performance in Carnegie Hall.
More information here.
Micah joins the cohort for the 2025 Tanglewood Conducting Seminar.
Micah serves as assistant/cover conductor to Marin Alsop in the finals of the 2025 Van Cliburn International Piano Competition with the Ft Worth Symphony.
More information here.
Micah is one of six conductors selected for this year’s public masterclass with the Tonhalle Orchester Zürich and Paavo Jarvi.
More information and full performance schedule here.
Micah joins the SENSORIUM EX team as assistant music director to Mo Elizabeth Askren for its premiere at the Seen and Heard International festival in Omaha, NE.
SENSORIUM is a multi-modal arts project exploring fundamental questions of what it means to have voice, and the nature of voice beyond language.
The project is centered around the opera, Sensorium Ex by composer Paola Prestini and librettist/poet Brenda Shaughnessy and co-directed by choreographer Jerron Herman and Jay Sheib – it is a multi-sensory narrative woven together at the intersections of disability and artificial intelligence. The Sensorium Ex Opera, commissioned by VisionIntoArt and Beth Morrison Projects, and supported by the Ford Foundation, is centered on the nature of voice beyond language, and how to creatively explore and express forms of non-speaking or non-typical patterns of speech and voice in opera. Artificial intelligence plays a role in expanding the possibilities for voice and expression in this dystopian tale.
Opera Synopsis:
A mother’s love, science/tech ethics, romance, corporate greed, a mystical escape, and a robot named Sophia come together in this story about what it means to be human...
Sensorium Ex is an opera for soloists, choir, chamber orchestra and electronics - exploring the nature of voice beyond language, non-speaking or non-typical patterns of speech and voice in opera, and what it means to be truly human. The use of artificial intelligence expands the possibilities for voice and expression in this dystopian tale.
https://www.visionintoart.org/
https://www.paolaprestini.com/
https://bethmorrisonprojects.org/
Read more here.
Micah serves as assistant/cover conductor to Marin Alsop.
Looking for the heart of America? Take a closer look at American opera—where every note captures the joys, struggles, and dreams of our nation.
Join us as opera luminaries take the stage to celebrate the heart and soul of American composers and their beloved works, weaving tales of struggle, triumph, and everything in between. With works by Samuel Barber to Leonard Bernstein to Margaret Bonds and more, this concert is a lively homage to the music that captures the American spirit.
With this concert, WNO continues its commitment to celebrating opera’s past and building its future.
Featuring Renée Fleming, Denyce Graves, and Thomas Hampson.
More information and tickets HERE
Micah serves as assistant/cover conductor to Lidiya Yankovskaya.
His products changed the world and put instant connection at our fingertips. But behind tech mogul Steve Jobs was a life shaped by triumphs, trials, and contradictions.
Step into the orbit of the Apple co-founder who rose from garage genius to tech titan. With a Grammy®–winning score by Kennedy Center Composer-in-Residence emeritus Mason Bates and libretto by Pulitzer Prize–winning librettist Mark Campbell, The (R)evolution of Steve Jobs offers an operatic journey through the interior workings and spiritual journey of an innovator. Bates merges an electronic soundscape with Campbell’s classical lyricism to immerse audiences in the world of Silicon Valley in the 1980s.
Across his life, Jobs played husband, father, spiritual seeker, and industry leader. He was also protagonist and antagonist, cycling between destruction and redemption, disillusion and reality. As Jobs comes face-to-face with his mortality, audiences will see that some things can’t be programmed—including humanity.
More information and tickets HERE
Micah conducts an exciting and eclectic program of nighttime music with the Iceland Symphony intended for concertgoers of all ages — who are welcome to attend in their pajamas!
More information and tickets here.
Micah joins the Iceland Symphony to conduct a series of concerts for children featuring Stravinsky’s Firebird suite.
Micah serves as assistant / cover conductor to San Diego Symphony’s Music Director, Rafael Payare.
Rafael Payare, conductor
Alexander Malofeev, piano
San Diego Symphony Orchestra
BILLY CHILDS: Concerto for Orchestra (World Premiere, Commissioned by San Diego Symphony)
PROKOFIEV: Piano Concerto No. 3 in C Major, Op. 26
BEETHOVEN: Symphony No. 3 in E-flat Major, Op. 55, Eroica
More information and tickets here.
Micah guest conducts the Symphony of the Americas on a program featuring works by Florence Price, Jessie Montgomery, and Pyotr Ilyich Tchaikovsky.
More information and tickets HERE
Micah serves as cover conductor to Ludovic Morlot in a thrilling program with the San Diego Symphony.
Ludovic Morlot, conductor
Jeff Thayer, violin
San Diego Symphony Orchestra
GABRIELLA SMITH: Bioluminescence Chaconne
SAINT-SAËNS: Violin Concerto No. 3 in B minor, Op. 61
AUGUSTA HOLMÈS: “La nuit et l'amour” from Ludus pro patria
SAINT-SAËNS: Symphony No. 3 in C minor, Op. 78, Organ Symphony
More information here.
Micah serves as cover/assistant conductor to Elena Schwarz with the San Diego Symphony.
JOHN ADAMS: The Chairman Dances (Foxtrot for Orchestra)
THOMAS ADÈS: Violin Concerto, Concentric Paths
DVOŘÁK: Symphony No. 9 in E minor, Op. 95, From the New World
Elena Schwarz takes the podium to lead the Symphony in a program of modern masterworks by John Adams and Thomas Adès and one of Western classical music’s most beloved and recognizable works: Dvořák's Symphony No. 9. Adams composed The Chairman Dances while working on his opera Nixon in China inspired by an image of Mao Tse-Tung dancing the foxtrot. A specialist in the works of living composers, Leila Josefowicz joins the Symphony for Adès’ modern masterpiece Concentric Paths, co-commissioned by the Los Angeles Philharmonic by the composer who also has many ties to – and a strong history with – California. Written while he was living in the United States, Dvořák's Symphony No. 9 drew inspiration from African-American spirituals introduced to him by his then-student, the great pioneer of American music, composer Harry T. Burleigh.
Micah serves as assistant conductor to Corrado Rovaris on Opera Philadelphia’s fall 2024 mainstage production of Missy Mazzoli’s The Listeners.
Composer Missy Mazzoli and librettist Royce Vavrek follow up on their acclaimed 2016 world premiere Breaking the Waves with a thriller about the seductive power of cults and charismatic leaders in a divided nation.
The Listeners examines the lengths to which we, as Americans, are willing to go to find a sense of place and purpose, and the way in which confident, charming leaders can exploit these needs to their own ends.
A middle-class mother (soprano Nicole Heaston in her company debut) living in a southwestern U.S. suburb notices a “hum,” a high-frequency environmental noise that only a select few people, the "Listeners,” can hear. A community organization quickly forms to solve the mystery of the hum, but when the de facto leader (Kevin Burdette) suggests a spiritual significance, the meetings become increasingly cult-like. Is this community of “Listeners” on a collision course with destruction?
More information and tickets here.
Micah joins conductors Esa-Pekka Salonen and Jukka-Pekka Saraste for a whirlwind final concert to culminate the 2024 Fiskars Summer Festival. Micah conducts the world premiere of J. A. Hoyle’s new piece, Hämäränsäde.
J. Montgomery: Strum / S. Rachmaninov: Piano Concerto 3 /
J. A. Hoyle: Hämäränsäde (World premiere) / J. Sibelius: Symphony No 5
Boris Giltburg, piano
More information here.
Micah is selected to participate in the 2024 Fiskars Festival Masterclass for young conductors, lead by Jukka-Pekka Sarastre, Esa-Pekka Salonen, and Eva Ollikainen throughout the Fiskars Summer Festival.
More information here.
Micah serves as music director for Argento’s one man opera, A Waterbird Talk, with baritone Joseph Han and the Musicians of Ma’alwyck at Troy Music Hall.
Micah conducts the Spoleto Festival USA Orchestra, in collaboration with Aoife O’Donovan.
A century after winning the right to vote, how much has really changed for American women? That question lies at the heart of Grammy Award- winning singer-songwriter Aoife O’Donovan’s upcoming album All My Friends, set for release this March. Inspired by the letters and speeches of suffragist Carrie Chapman Catt, the album ponders the nation’s evolution amidst a lush soundscape featuring brass, orchestra, girls’ choir, and O’Donovan’s own mysterious and compelling voice. The 2022 Folk Alliance International Song of the Year winner, who was last seen at Spoleto in 2019 performing with her acclaimed trio, I’m With Her, is joined by members of the Spoleto Festival USA Orchestra for a musical event 100 years in the making.
More information and tickets here.
Micah conducts Reena Esmail’s Testament (from Vishwas), and serves as assistant/cover conductor to Timothy Myers for additional repertoire.
Beethoven’s stirring Symphony No. 3, “Heroic,” marked a decisive turn from the Classical to Romantic period, truly groundbreaking in both form and approach. This ambitious program also features Shostakovich’s sparkling Piano Concerto No. 1, performed by internationally celebrated pianist (and Festival favorite) Inon Barnatan, and Reena Esmail’s Testament (from Vishwas), which showcases the dexterous weaving of Indian and Western classical music we can expect from this year’s Spoleto chamber music composer-in-residence.
More information and tickets here.
Micah serves as assistant / cover conductor to Timothy Myers.
Gustav Mahler’s epic symphony, divided into five rich, wildly distinct movements, is a titanic work, virtually unmatched in expressive intensity. Continuing Spoleto’s commitment to commissioning new music, the concert also features a world premiere concerto by Grammy-nominated flutist, singer, and composer, Nathalie Joachim, performed by a “cellist of power and grace” (The Guardian), guest soloist Seth Parker Woods.
More information and tickets here.
Micah serves as assistant/cover conductor to Timothy Myers.
From acclaimed choreographer Benjamin Millepied comes a bold, multidisciplinary reenvisioning of Shakespeare’s tragedy with Prokofiev’s lush score. Set in a modern metropolis, the titular duo are recast as diverse young adults: rotating between male/female, male/male, and female/female pairings. The fast-paced drama unfolds both on and beyond the Gaillard stage through live video, a state-of-the-art projection system, and accompaniment by the Spoleto Festival USA Orchestra under the baton of Orchestra Music Director Timothy Myers. Hailed by The New Yorker as “startling, dazzling, and wrenching in equal measure,” Romeo and Juliet Suite offers a riveting treatise on the recklessness of young love.
Choreographed by Benjamin Millepied
Composed by Sergei Prokofiev
Conducted by Timothy Myers
Spoleto Festival USA Orchestra
More information and tickets available here.
LOAM and collaborators present an interactive workshop in Philadelphia of our newly commissioned one-woman chamber opera.
The opera follows Leah, a Christian influencer fighting a losing battle with cancer, as she prepares to upload her consciousness to an AI, Thea.
Creative team: Christopher Bell - composer, Susan Bywaters - librettist, Joanne Evans, mezzo-soprano, Micah Gleason - music director , George Miller - director, as well as musicians from the Curtis Institute of Music and panelists from Drexel University and the University of Pennsylvania.
Workshop will include the presentation of the first 2 scenes of the opera, as well as a a panel discussion featuring specialists in related fields (cognitive science and machine learning, digital media, music and performance, and religious fanaticism), with Q&A to discuss themes in the work and to also give the audience the chance to weigh in on the fate of the characters, Leah and Thea.
Read more about the project here. Read more about LOAM here. Donate to support LOAM projects here.
In this guided concert experience, audience members will explore the relationship between space, sound, and memory.
Produced and conceived by organist Isabella Isza Wu, in partnership with the Curtis Institute of Music and Penn Memory Center.
More information here.